Unless you have a fast computer, the process can take a long time, but fortunately the ripper can do its work in the background. To Rip a file or files, you simply drag and drop them into the Infinity window. So, the first thing you need to understand is that you are not dealing with audio files but their component ingredients and until you change something, these recombine perfectly to make an exact copy of the original audio file. The process of ripping is not, as I had initially assumed, one of generating multiple individual audio tracks from mixed audio rather, it is one of gathering and analysing audio data and identifying musical notes, timbres and tonal qualities. What you see on screen are not audio tracks: they are resynthesized representations of musical data created with component sine waves, referred to by Hit'n'Mix as Rips. Hit'n'Mix Infinity does its magic through sinusoidal spectral analysis and resynthesis. It's not an easy program to explain and it feels like it's yet to fully nail down its own identity, but there's some very clever stuff going on in here. It has the look and feel of Melodyne in some respects, but presents multiple instruments in a single view and allows their individual identities to be blurred, cloned, blended and transplanted. Through the use of its TrueSource source-separation technology, Infinity from Hit'n'Mix can identify the tonal qualities of instruments and split music into fully adjustable notes and percussion. It's a remarkable thing to see a mixed piece of music pulled apart and displayed as individually editable instruments. Infinity is no ordinary audio editor, but one that allows you to manipulate the individual instruments within a mixed audio file in endless ways. The chorus from Radiohead's 'Sulk' as viewed in Infinity.
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